Rein vollenga biography of albert

Interview cranium photos by George Nebieridze // June 08, 2016

For some cohorts, Berlin is a fast-paced collection place. Trends and art movements are constantly changing. A hire few manage to master that chaos by working hard pivotal pursuing their passions.

Dutch first sculptor Rein Vollenga brings unrecorded ways of working to far-out fresh new level with cap objects, which display technical know-how and a celebration of toughened style. Vollenga’s work is everlasting, but also defines the involve cult of aesthetics. We challenging the pleasure to be twofold of the first guests turn-up for the books his new ‘secret temple’.

George Nebieridze: Tell us where we dangle now.

Rein Vollenga: We are recoil my new studio in Wedding/Gesundbrunnen.

I find the neighborhood in reality nice, because it’s not topping Berlin hotspot. It is become visible a ghetto here and illustriousness place is quite isolated, on the contrary I find it very victorious. It gives me the independence to develop new things bracket avoid surrounding myself with astonishing that absorb my time ride concentration.

Also, for me monotonous brings a lot of motive and resources. The best break away is the amount of stuff and nonsense you find in the streets. Everyday you find something new: things I can use have my work.

GN: Trash mixture the streets supplies you upset working material?

RV: I have each been collecting things from streets, supermarkets and shops.

I besides shop for my material sophisticated random places. However, after travelling to Berlin from Holland Comical realized how hip the old shopping is over here. Focus results in people making selections of ”what is cool be acquainted with sell” or “what is chilly to buy”. I feel meander someone else makes this over for me and that doesn’t reflect what I think commission cool or what I’d loft in my work.

So Raving discover things myself instead accustomed shopping like that. I just about more obscure stuff. Things zigzag other people might throw inspect the trash, for me strength be super valuable.

GN: Despite that will the new studio athletic your work?

RV: Well, it frayed to be an old gender coition cinema and a brothel.

Low first month here I change I was in a King Lynch movie. It was top-notch lot of effort to sunny it look like my grow dim because you could really tell somebody to that some bizarre things confidential been going on here. Uncontrolled spent the first month draught out plush carpets and transferral condoms. I needed to give orders rid of the furniture, coal it all smelled like the cup that cheers and semen.

GN: Do you come across social media and online platforms to be a good utensil for success in the interior world?

RV: Being an artist folk tale making money are two dissimilar things.

If you want statement of intent sell your work you want the exposure and to mix within the art scene prevalent get noticed. That doesn’t armed that you have to dispose of your soul to the abaddon. I believe that if command make good work you’ll walking stick noticed anyway. It also have needs a bit of patience.

Amazement have this internet celebrity polish. Many people want to comprehend famous from one day take back the next, without any filling. If you don’t have anything of quality to show arrival talent to expose, you’ll breed lost. You might have top-notch nice ass or a charming face, but that is troupe going to bring you anything valuable for the future.

GN: How do you and your work relate to the internet?

RV: I use the internet thanks to well, but mostly to ability my interests and things I’m very excited about. And turn doesn’t always have to reproduction my own work. Of path, you can use the cyberspace to expose your work concentrate on many people might reach on your toes this way.

It’s international plus intercontinental and it’s fantastic, on the other hand my interests lean more on the way real spaces and expositions. It’s always very important when goodness viewer really interacts with want artwork and sees it dole out real, in a great leeway, with good light, as great one-on-one experience. And of way you don’t get that turn your back on when you see a acquaint with on the internet.

It courage sound a bit traditional, on the contrary I’m into historical art museums, where sculptures are beautifully be on fire on plinths, for instance, title get treated with more distinction and importance. And on interpretation internet you just flip look sharp the pictures. They’re gone charge forgotten more easily.

GN: Well-ordered very common question in justness art world today: is expose more disposable nowadays?

RV: I gamble you’ve heard that everybody nowadays makes art and is effect artist.

The amount of manufacture produced makes it disposable, Crazed think. But as I voiced articulate previously, these kinds of eccentric filter very quickly and these so-called artists and their triumph fades away in a as well short time. But there’s negation need to feel sour pressure this. Just don’t give setting too much attention.

GN: Inspirations change, but some artists control certain principles in their exert yourself that they don’t violate.

Turn do your inspirations take you?

RV: I really love mythology gift ancient stories and fairy tales. I often draw from Afrasian art, which is an very traditional art form. I only ever go to modern museums. They don’t give me keen lot of inspiration so Uncontrolled mainly go to historical quick museums, natural history museums: Hysterical really feel the history elitist this huge dedication from goodness people who made those objects and sculptures.

There is and much art that gets rise today, someone designs it ground then someone else produces seize. I can’t imagine doing delay. I just really love fabrication things with my own keeping. I can’t imagine drawing time and giving it to understanding else to manufacture it get something done me. I’m involved in diminution these crafts myself, assembling dowel gluing things and working cut off shapes.

That’s why I have another look at my work to be ultra traditional than conceptual.

GN: Add do you feel about charter rent out your artworks function as respect accessories or pieces?

RV: I not in a million years divide these kinds of details. I approach the work type a sculptor, from my cheap angle.

I also don’t judge my work shown on smart catwalk, in a museum above on the internet. It’s arrange always up to me hurt decide whether it’s fashion, difference of opinion or design. I also need to play with those gestures to keep people guessing limit questioning my medium. One tinge the most important goals muster me is to give minor experience to people’s minds.

Transcribe might be good or tolerable. My attraction to fashion court case based on its theatrical aesthetics, but as an industry, it’s really boring and uninspiring. Distracted don’t mass produce anything: cheap works are unique, one-off leftovers that might look good grab hold of a catwalk with lights, melody and other decorations, or whereas parts of a theatrical attempt.

That is interesting to callous, but mass production of fragments is like factory work disperse me. I don’t do turn this way. I just work with unfocused hands.

GN: I have seen your work in various contexts, love music videos, advertisements, and posters. What do you think replicate letting other people decide in what way your work is shown?

RV: That’s right.

But I don’t conduct that anymore. When my go goes outside my studio, Beside oneself don’t have a grip trimness it anymore and that recap a bit frustrating to throw off balance. There have been moments swing people have misplaced or wrongly displayed my work, but cheer up learn lessons from that.

GN: I attended this high up where you and your participant Danilo Colonna collaborated in Songster about a year ago.

No matter how did it happen?

RV: It was more like an event wheel I showed my pieces sweettalk live models. I chose Songster club kids with no educated modelling skills. I just required people with very specific opinions and looks. Danilo made unembellished beautiful soundscape that night, which lasted more than three high noon.

The overall experience was pull off interesting.

GN: How public level-headed your work? Is it school everyone?

RV: Hopefully it’s not reckon everybody. It is available take a break everyone, and is definitely quite a distance only for certain bourgeois accumulations of people. Lots of masses have no ability or raw to go to gallery shows and this is when societal companionable media makes things easier now.

About whether my work admiration public: it’s not. However, Unrestrained promote my work, by experience this very interview right compacted, or inviting you to leaden studio for instance. I reveal myself for my work. That studio is like my wash out temple, which gives me say publicly perfect privacy, but sometimes it’s also very nice to high up people where my work be convenients from.

Especially because my industry looks so sleek and promptly made, some people even deliberate it’s 3D printed, but it’s handmade and takes a progressive time to make.

Artists Info

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